A: I went to Northeastern University in Boston, and my major was Business Administration, concentrating in entrepreneurship and marketing.  When it comes to fashion and jewelry, I knew I wanted to open my own business one day combining the two, but I did not know when or what it would entail.

O: When and how did you decide to become a jewelry designer?

O: Lead us through the design process for a piece of jewelry.

A: I do not sketch anything before I create.  I first look at all my stones and see what color combinations POP!  Then, I string them and see if it is my "look" or my customer.  Once I do this, the stones mellifluously take on their own unique look to complete a piece, and I show them to a circle of my loyal customers to get their reaction.  Upon approval, I add the piece to my line.

O: What makes your line stand out?

A: I am trying to turn my passion into my career.  I would love to be able to wake up every morning and do something I love like designing and making my own jewelry–that is why I am going for it!  I just graduated college in May, and instead of pursuing a career at a traditional company like all my other friends, getting benefits and a constant paycheck in my bank account, I am taking a different path in life.

O: You pursued an internship in New York City’s Fashion District. What did you learn from this experience?

A: I worked at a women’s suits company, and I was able to experience the entire wholesale end of a fashion business, working closely with the design, sales and production teams.  I also was able to show my line to the main designer at the company, sell to his flagship store in Puerto Rico, and custom design Alanna Bess pieces for his high-end clientele.  I was also able to showcase the women’s suits at the Coterie show at the New York Piers.  I hope to one day show Alanna Bess jewelry at the Coterie show!

A: I studied in Florence, Italy, and all the art and the museums and fashion gurus there inspire me.  There is even art on street lamp-posts in Italy. When I was there, all the creativity and art everywhere was like pure eye-candy to me.  My line took a sophisticated turn after this experience.

O: What’s your favorite piece in your collection?  

A: I love the "Isle of Capri" series of necklaces.  I think these pieces are so versatile, and the color combinations are lots of fun.  I love to layer 2 or 3 of them at once to get a whole new look.

A: The only jeweler’s block I get is when I think something looks good in my head, and then I actually sit down and create it, and it looked that much better in my imagination than in real life.  However, after a few touch-ups,  it often becomes a piece of art.   

O: How do you know how much to price each piece? Does it depend on how long it took you to make? How rare the stones are?   

We know all too well how difficult it is to choose a suit that appeals both to your aesthetics and your functional requirements for figure flattery.  To that end, we’ve chosen four fabulous and flattering suits–two to combat tummy bulge, and two to amplify a modest bosom.

O: Tell us about the collection that won you Gen Art’s Perrier Bubbling Under Award.

Z: This year, Perrier’s theme was “sparkle.”  However, I’m not a sparkly designer.  “Sparkle” makes me think of beads, sequins, and other add-ons.  It was a challenge, but I love a challenge.  I gave it my own twist and made sure the collection looked like me.  I like mixing menswear elements in clothes, unexpected color combinations and fabrics.  I played with these ideas with this “sparkle” theme in mind.  So many designers out there are creating convoluted concepts.  I like concept for the sake of clothes, not concept for sake of concept.  I wanted to make something beautiful, something that was concept for the sake of clothes.

O: Tell us about your trip to New York for the competition.

Z: It was pretty insane.  I’m trying to become a citizen, and I had an immigration interview scheduled for the day before.  That’s not one of those things you can reschedule.  I went to the interview, came home to get my bags, hopped on the plane to New York, got in at 6am the day of the event, only to find that the hotel check in started at 3pm.  After check in, I hopped into the shower, then did a Coutorture interview right before the event.  

O:  What about the actual event?

Z: Really, the first hour was a blur.  I had too much caffeine and not enough sleep.  The awards ceremony itself was pretty straightforward.  I was in the second segment, and the person who won right before me was Bruno Grizzo.  He’s a great guy, and I have a lot of respect for him.  However, when he won, he had a speech.  It was written on a tiny little piece of paper.  I freaked out!  He had a speech.  I really didn’t have a speech.  I calmed myself down by figuring that I wouldn’t win anyways.  So when I won, I was completely unprepared.  I was blinded by the lights, and I rambled something.  I didn’t know what I said until Coutorture showed me the video of the event later.

O: You were quoted in WWD as saying, “I’d like to give Gen Art mad props for existing for this exact purpose.”  Would you like to comment on your comment?

Z: I was just really worried that I had offended Gen Art with my comment.  I actually asked Tali at Gen Art to see if it was offensive.  Luckily, she thought it was a great quote.

Z: I just sort of sat there.  My boyfriend poked me on the side and asked, “Are you going to get up there?”  I was wearing a traditional kimono for unmarried women.  The sleeves were long, and they went just past my knee.  I was also wearing 5-inch platform heels.  I just kept thinking, “Don’t trip! People are watching!”  

O: How did you celebrate your big win?

Z:  I’ve been meeting a lot of fashion bloggers online, including Julie Fredrickson, one half of the Coutorture team.  I emailed her a couple weeks before I went to New York and told her why I was coming.  She decided to throw this huge party—a Coutorture Launch/Congratulations Verbal Croquis [my blog’s name] party.  It was at Lucky Jacks on the Lower East Side.  WWD, Fashion Wire Daily, and Glam were there.

O: How did winning the award change your life?

Z: It hasn’t really changed my life.  I don’t ever think that these sorts of things change your life.  It’s what you end up doing with it.  I feel like my 15 minutes of fame are over.  But for me, the most important thing was an industry validation of my talents as a designer.

O: In addition to being a designer, you’re also an avid fashion blogger.  For our readers who aren’t familiar with your blog, Verbal Croquis, would you please describe it?

Z: Verbal Croquis is the adventures of a not-famous everyday fashion designer who is extremely ambitious and hardworking.  It’s a realistic view of the life of a fashion designer.  It’s not always glamorous.  A lot of days, it’s coming home really tired, waiting for your samples from China that are stuck on a boat somewhere, going to boring meetings, and not being able to meet fabric minimums.  It’s a boss who’s not feeling you one day, and yet, totally feeling you another day.  Interestingly, people recently started writing me asking for fashion career advice.  Now I appear to be the blogosphere’s go-to gal for how to get your fashion career started.

O: What’s your most important piece of advice for aspiring designers?  

Z: You really have to figure out where in the industry you belong.  Pinpoint what you want.  That will guide you to whatever methods you need to get started.  There are various options, and plenty of options as a designer.  What kind of designer do you want to be?  Where do you want to be?  How involved do you want to be in production and construction?  First, nail down your long-term and short-term goals.  Only then can you figure out how to get there.

O: How did you get into the fashion industry?

Z: When you talk about fashion, you can have one conversation about the cute shoes you have to have, which can turn into a discussion about fashion trends and consumption and how things have changed.  I love the variety and how it reaches different parts of my brain.  I never get bored.  

O: What do you dislike about fashion?

Z: The preconceived reputation of designers.  Everyone assumes you don’t need any training.  It’s not like law. You don’t need to pass an exam, you don’t need a degree.  Sure, we’re not saving lives or anything, but it does the profession a disservice when people come in and say, “Oh, design can’t be hard.”  It lowers the already tarred reputation of designers as lazy.  

O: What do your parents think about your career choices?

Z: I was groomed to be a lawyer.  I had piano lessons.  I had to learn how to cook, quiet my voice at the appropriate time, and do the whole docile Asian thing.   When I was preparing my portfolio for design school during my senior year of high school, my dad not so subtly hinted at alternative college options.  He left a Yale Law school sweatshirt outside my bedroom door.
 
O: What’s your definition of style?

Z: It’s your personality in tangible items.  I have no personal style because I never groomed it.  I’ve been too busy grooming other people.  My uniform is a leather jacket and jeans.  When I have to go to an event somewhere, I start sweating thinking about it.  I was never my own muse. 

O: Favorite designer?

Z: It’s a tie between Alexander McQueen and Nicolas Ghesquière at Balenciaga.  I love them both because they do it different.  I don’t think their designs are really about shock value.  It’s just how they are as designers. 

O: High maintenance or Low maintenance?

Z: I had a very interesting conversation with some fellow fashion bloggers.  We decided that it’s everything and nothing.  We did the whole bohemian look for awhile, but that’s done, even though the garmentos are still doing it.  More recently, we saw designers doing the “new minimalism.”  Really, it was about looking like a woman instead of looking like a girl.  That’s where fashion is right now.

O: Everything and nothing?

Z: Fashion doesn’t have an identity this year.  It’s trying to make an identity for itself this decade, while trying really hard not to do the vintage thing.  It’s tough, because a lot of what’s out there has already been done.  It’s giving fashion a bit of an identity crisis.  There’s a whole movement towards making fashion more democratic with small design houses proliferating.  There’s no fashion dictatorship anymore.  All of the big stars—Marc Jacobs, Prada—they’re left over from the 90s. 

O: Last words?

Z: I’m still young, I have a lot of energy, can you expect a lot of new things coming from me, and not just from my blog.  I have more ambition than most fashionistas have shoes.  I love this industry.